How to dance rueda de casino
We will keep dancing Casino in a Rueda (circle) regrowth.nu will have tons of fun dancing Casino in a Rueda with our partner and with other couples at the. Hi everybody!Have you ever tried to dance salsa not for a single partner but for a whole group?So let's try RUEDA DE CASINO!Rueda is about dancing Cuban. Rueda de casino ist ein lateinamerikanischer Gruppentanz, der zu Salsa-Musik getanzt wird. B. zu Squaredance oder Rounddance, bei denen ebenfalls zu Kommandos getanzt wird, in der Regel nicht normiert, so dass die Rueda- Gruppen. For those just zodiac casino berichte to take an interest in Rueda de Casino, this guide provides information englischer premier the dance, where it came from, how it works, how it varies, and a 'survival kit' of things to think about when you are learning, including teamwork, timing, and making sense of all those calls. Rueda de casino ist ein lateinamerikanischer Gruppentanzder zu Salsa-Musik getanzt wird. In anderen Projekten Commons Wikibooks. Diese Seite wurde zuletzt am Rueda Miami Style wirkt insgesamt eleganter als die traditionelle Fc köln mainz 05 und hat als ein wichtiges Stilelement die Damendrehung auf 1,2,3 statt auf 5,6,7. Er ist für sechs bis zehn Paare ideal, kann aber auch mit weniger sogar mit nur zwei und mehr Paaren getanzt werden.
Dame dos - - Lead goes to the second follower on the right downstream and Dile que no. Dame tres - Lead goes to the third follower on the right downstream and Dile que no.
Dile que no - - cross body lead. Enchufla - - Lead steps back and pulls the follow past on the right, turn to face the follow.
Keep the elbows bent! Mentira - - Spanish for "it's a lie", called while some other move is in progress, and means that the lead keeps the same follow in a move where normally the lead would go to the neighboring follow.
Una Para Arriba - - Lead goes to the next follow upstream. Pelota Uno - - Enchufla, and before getting to the next follow, clap once on 7.
Prima - - Back break and the lead pulls follow up close with the follow's right arm up and catches follow, spins with the follow, then going to the next follow on the right.
Sacala - - Lead the follow into the centre of the circle and back out. Sientate - Spanish for "sit-down", this is usually called at the end of a song as the last move.
Starts like Siete, lead preps on 7 of the previous count by putting the left hand into the circle, then swinging it back out. The follow then spins clockwise on 1,2,3 ending up with their right shoulder on the chest of the lead, and seating on the lead's lap.
Sombrero - - Lead switches hands, right to right, left to left, then spins the follow around clockwise while walking the follow around to the right side of the lead.
Drop the arms down, then back up, over the head and onto the shoulders. The lead should have their right arm around the back of the follow and the left hand over their left should.
Un tarro - - on 5,6,7, lead steps back, puts the follows right arm up and pulls themselves under going to next follow. Abanico - - As shown.
Arcoiris - - Start like setenta and walk the follow around, then step in front with right hand up. Then lift both hands and start to spread them and the follow should spin to end up back to back.
Drop the hands low, then turn toward the follow your right and duck back under the arm and the lead should be in a hammer lock at this point.
Babosa - - Lead takes both hands, back steps and pull the the follow into a "hug" or sweetheart move on the lead's right both facing inward.
The lead holds the right hand and spins the follow out to the next lead on the right while looking for the hand of the follow on the left.
Enchufla the follow and then cross body. The enchufla is only done if an enchufla complicado is not called. Besito - - As shown,start like sombrero, but walk the follow behind as the lead keeps their right hand low.
The follow should end up on the left hand side of the lead and the lead puts their left arm over onto the should over the follow.
Then kiss the cheek of the follow. Lead then turns clockwise under the arms and then enchuflas the follow back into a sombrero.
Balsero - - Start like Sombrero but instead of putting the arms on the shoulders, bring the follow around behind, making sure to get the follow behind and to the left of the lead on 7, with their right hand on the lead's right shoulder.
Then spin the follow around in front and put them into a Sombrero on the right side. Finish as a normal Sombrero. Cagua - Starts similar to Sombrero with the follow ending up on the right side of the lead, with arms around each other's shoulders.
From there and on the second eight count, the lead puts their right arm under the left arm of the follow and asks for the right hand.
The lead's right arm should still be tucked around the follow's left arm with the back of the lead's hand resting on the follows hip or stomach.
The follow then back rocks and ducks under turning counter clockwise as lead pulls with the right hand up and over the head of the follow.
The lead and follow should be facing each other with left over right. On the next eight count, the follow back rocks again and is pulled into a sombrero on the right side of the lead, right hand on follow's shoulder, left on lead's shoulder.
Cross body back to neutral. Carrusel - - Starts with an Enchufla , then Sacala , then enchufla pulling the follow past to the next lead.
The lead grabs the hand of the next follow ahead and repeats the Sacala then Enchufla three times, on the fourth follow, do a cross body lead to end.
The leads will naturally stay facing out of the circle for most of this move. En Chavarria or Tres Dos - - This is called off a cross-body lead and on 1 of the next eight count while still in a right to left hand hold and facing into the circle, the lead with bent legs, plants with their right foot and then points their feet first left, right and then left again.
The follow does the opposite, planting their left foot and doing a right, left, right shifting motion. This is similar to Coca Cola which can be called off a cross body.
Coca Cola - - On a cross body lead, the lead spins the follow by the shoulder and with the same left hand, pulls the follow behind all on 1,2,3.
On 5,6,7, the lead finished the cross body back to the left. Cubanito - - Start with an Enchufla , and the lead then steps in front of the follow facing into the circle, switching hands.
The lead and follow then back rock twice and on the third back rock, the lead puts the right hand on their shoulder and finishes like Balsero.
Dame con Chocolate - - On 1,2,3, lead turns counter-clockwise facing away from the follow and on 5,6,7 both jump back with hands up and leaning forward slightly.
Dame Diente - Prep on 7 with the left hand, then check the follow in a wrap follow turns clockwise and unwrap.
On the next eight count, the lead then wraps in, turning to the left, touches hands on 5 right to left then unwraps.
Then, prepping on 7 again with the left hand, the follow is wrapped and the lead wraps as well, making sure to switch hands from left to right.
The initial prep is done with the lead's left to the follow's right and then as the follow goes into their wrap, the lead switches to a right to right hand hold, making sure to bend their own arm around the follow.
Then both follow and lead unwrap and do a vacilala con dos with Lead and Follow both doing spins. El Dedo - - As shown.
El Dedo Complicado - - Similar to El Dedo, but on 5 while leading the follow around, back step and pull the follow's arm over your shoulders.
Then grab the follow around the waist and lead the follow around for an eight count. Al Directo - - The lead pulls the follow past on the right and claps the hands of the next follow on 5.
Al Directo Doble - - Like Al Directo, upon clapping the hands on 5 of the next follow, the lead spins to the right going past and connects with the next follow.
The leads move clockwise and the follows walk counter-clockwise. El Dos - - Enchufla and while stepping in front of the follow, the lead asks for the followers right hand.
Then on the next count, the lead presents the left hand and continues in a cumbia motion with the follow behind. Step to the left and right, and lastly the lead keeps the right hand high and pull the follow around with both arms, spins the follow and does a sombrero.
El Doce - - As shown. El Nudo - - Setenta, lead follow around back and then with your right hand blind lead follow from behind you around to in front, then setenta.
Enchufla Avion - Starts with an enchufla and the lead holds the right hand of the follow with their left and steps forward with the lead's right arm over the follow's right.
The lead should be standing with the follow's arm at chest height at the end of the eight count. The lead then ducks under the follow's arm to the right, bringing the follow around.
The lead should end up with their right hand over the right shoulder of the follow and lightly on the back of the neck of the follow.
The lead, with their left arm, then rotates the follow's right arm up and around clockwise as the follow ducks their head under the right arm of the lead and the lead keeps their right hand on the back of the follow to guide both in half turn.
The lead should have their right hand on the back of the follow and as both move continue to move around each other, and the lead pushes the follow toward the next lead.
The lead then takes the partner ahead in a cross body lead. Enchufla con Dracula - - Enchufla and as the follow goes by, make a mock attempt to bite their neck.
Enchufla con pa - Starts with an enchufla, switch hands and step ahead upstream of follow. Lead then steps into circle and on one says "Pah".
Lead the follow behind into the center of the circle as lead goes into hammer lock and follows, like a sacala, says with "pah" sound on 5.
Lead is doing a cross step at this pint. The lead then backs out to the left and brings the follow in front and to the left while spinning the follow into a counter clockwise turn.
At this point, lead is on the right facing in and follow is on left facing out with left arm under right.
Lead the grabs the right hand of the follow on the right and steps forward and backward as follow steps backward and forward for an eight count.
Then on the next eight count, lead turns the follow, while still holding both lead's hands, on the left clockwise and hair combs the follow's hand over the lead's head, closely followed by the hand of follow on right, with whom is done a cross body.
Enchufla Complicado - - Enchufla, and as the follow steps in front, the lead grabs the follows left with their right, then steps under, asks for the hand behind the leads back and the enchuflas again.
Then grab the right hand of the follow and present it to the next lead on the right while looking for the hand of the follow on the left.
Enchufla the next follower and then back to neutral. Enchufla al Medio - - Enchufla, lead steps into the circle, then back out on the follows right.
The follow and lead then alternatively step into and back out of the circle. The following moves are then called:. Enchufla Rodeala y Mambo - Starts like Seis with an enchufla, and the follow is lead behind and back in front of the lead.
When the follow is standing in front facing into the circle, a mambo is started on 7. The lead starts on the right and on left for follows and is done for five steps i.
While doing the mambo, the lead keeps their right hand on the shoulder of the follow and can initiate the back-rock by pulling on the shoulder.
The lead then back rocks left then right, while leading the follow into a back rock on their right and left for an eight count. On the next eight count, the follow back rocks with the right foot again and then spins counter-clockwise to the right and is picked up for a cross body lead.
Leads can also spin before picking up the follow. Enrocate - - Two cross body leads in a row over two eight counts, going Evelyn de Cuba - - Starts with an enchfula doble and when stopping the follow the second time, the lead spins to the right and faces the follow.
The lead should be right hand to right hand with the follow. Another enchufla, and the lead does a hook turn helps if the hand doing the enchufla is kept low and the lead pulls the follow behind their back to pass to next lead.
The lead then picks up the next follow to the right. Estrella Doble meaning two stars - Starts with an enchufla, then the leads walk into the center of the circle heading counter clockwise and put their left hands on the left shoulder of the lead ahead of them.
They then walk around the circle for two eight counts and on the 5,6,7 of the second eight count, the leads change direction back to clockwise and put their right hand on the right shoulder of the lead in front.
The follows move in the opposite direction and switch direction at the same time, again going the opposite direction. After changing directions, both leads and follows walk in their respective directions for another eight count and on the second eight count they should be close to their original partners.
The leads then do a hook turn to the right and face their original partner, prepping to the right, in a right to right hand hold.
On the next eight count, the lead then turns the follow around clockwise in place and as the follow comes around to face the lead again, the lead does another hook turn but stops when facing upstream away from the follow.
The lead should be facing the next follow ahead of them and have, from behind them, the follow's right hand on the lead's right shoulder. On the next eight count, the lead then drops the right hand on the right side of their body and throws it up in a arc over their body, while immediately doing a cross body lead of the next follow upstream.
Fly - - On 5,6,7, jump to the right and clap killing the "fly". Mini is a sub call and the same movement is performed, but don't actually clap.
Festival de Fly - Starting on 1, clap up to the right, then down to the left, the in front, clap once, then twice more.
The leads then cross arms and the follows pull their fists back on either side of their bodies and thrust their chest out.
Everybody goes "huh" at the same time. Then clap once and then three quick claps and cross body the follow on the right. La Havana - - Starts with a two handed enchufla with check, then repeat.
On the third two handed enchufla, the lead does a hook turn under and pulls the follow's hands down in front while the lead faces into the circle.
The lead then lifts their right arm up, then the left and, turning to the right a bit, leads the follow into a hammer lock. Unfold the hammer lock with a back break and then momentarily hook the follow's left arm with the lead's right elbow.
Cross body back to finish. La Isaura - - Enchufla and as the lead passed the follow on the left, continue onto the next follow on the left, cross body, then go to the follow two down, i.
The pattern is one to your left, two to your right and then one back to the original partner. Jardin - - Enchufla and grab the follow's left hand with right and walk into the circle.
Then go under the arm raised by the lead on your left. Then wait for the Bota call then grab the hand of the follow on your left and enchufla the follow back into the slot, then cross body lead the follow.
Make sure to "explode" the circle when doing bota. Juana la Cubana - - Exactly as shown, start with sombrero, then keep your left hand high and spin the follow around to your left putting your left hand on the follow's left shoulder.
Then pull the follow back to your right, keeping the follow's right hand low and fold it behind the follow's back and step up beside on the left.
Put the follow's hand behind your head, then pull it out and sacala, and coming back into a sombrero. Cross body lead back to wapea.
La Jenny - - Enchufla, switching hands, then on the next eight count, cross-body lead back to the left and pull the follow behind the lead like paseala.
After switching hands right to right , on the next eight count, pull the follow around in front and then spin the follow into a hammer lock with the follow's arm behind their back.
At this point, the follow should be facing the lead with their right arm behind their back and the lead is facing downstream.
On the next eight count, then cross body lead, and catch the follow by the left shoulder. The lead should be facing inward slightly and the follow outward.
On the next eight count, spin the follow to the clockwise and when they are facing the lead, the lead raises their arm and does a hook turn under it, ending up in the circle facing outward to the follow.
The lead then does a strong enchufla putting the follow momentarily in the circle before bringing the follow back into the slot on the right.
La Pisa - - Enchufla and then lead and follow hold left and right hand respectively and lean back for 8 counts. Leonsio - - Start with Setenta, and like El Nudo, lead steps in front of follow and with left hand up, right hand low, turns to the right until facing into the circle and with arms, left over right, cross in front.
On the next eight count, first raise the left on the right side of the body and then right hand on the left side , keeping the left up over the head as the lead turns to face the follow to the right.
The lead should now be in a hammer lock with their left arm behind, holding the follow's right hand. Then lead the follow until the lead is facing upstream counter-clockwise.
The trick here is to rotate locked with the follow degrees, until the lead is facing upstream, and then pull the follow the rest of the way behind.
The lead then steps under their own arm and turns to the left to face the follow downstream. You have done this part right if you are in a position, to do a two handed enchufla with hook turn show them the L with the arms , and cross body the follow back to neutral.
Mambo - On 5, hold the hands up and the lead step right on 5 left on 7 right on 1 left on 3 and then pushes off ready for the next eight count.
This move is called on beat 3, not the typical 1. Mambo Tipiando - Like Mambo, this start on 5 and the leads start their taps on the right and follows with their left.
Two taps are done, i. Follows mirror the lead, tapping left, right, step left, cross and tap left, right, then back. The entire sequence of two taps, cross to the right, two taps and cross back is repeated twice and should end on a five with a hand press.
Mariposa - - enchufla then sacala and as the follow comes back, continue to pull them out of the way and grab the right hand of the next follow.
Enchufla and hook turn and then enchufla and cross body back to neutral. Melody - Enchufla and the lead stands in front and to the right of the follow, looking over their left shoulder at the follow.
The follow and lead, in a similar manner to Dos or Cubanito back rock, four times, then the lead picks up the next follow. Mezclado - - Leads turns to the follow on the right and catches the hand and brings the follow to the left, then catch the hand of the right hand follow again but spin the follow on the left nobody lets go!
Leads then spin the follow on left into a hammer lock. Back out of the hammer lock, bring the arms up and hook in the elbows. Make a little dip.
Then back break again and do a hook turn under the follow's arms, then switch places again back into a sombrero. Noventa ninety - - as shown, the trick is to lift the left hand and step under it.
Ochenta y uno - - enchufla and switch hands, lead the follow into a sacala with the right hand and as the follow comes back, hair comb the right hand over the follow's head.
Palmadas - Enchufla and like Enchufla con Mambo , the lead and follow stand next to each other and count out the follow steps to time - stomp left and right, then clap once, then stomp left and right again and clap two times.
Lead picks up the follow they are facing. Parte el brazo - - Lead the follow clockwise and into the center of the circle.
Lead puts right hand on follow's left shoulder and then, back stepping, grabs the back of the follows right hand and spins to the left, spinning the follow as well.
Then enchufla back into neutral. Parte el Brazo Complicado - - Similar to Parte el brazo, but after back stepping, put the follows arms behind their back when they face into the centre.
Paseala - - Pull the follow behind your back. Paseala y Complicate - - Starts with an enchufla, then two Paseala, then on the second one, the lead swings their right hand over their head and as the follow passes behind them, grabs the follow's left hand.
The lead should be in front of and to the left of the follow in a left to left and right to right hand hold.
On the next eight count, the lead then pulls the follow forward and wraps the follow. One the next eight count, the follow is unwrapped and spun to the right, keep the left hand low behind the back and the right hand leading the turn.
To help the follow unwravel, the lead should turn when turning the follow. Then end in a sombrero facing into the circle. Patin - - Do an enchufla doble, then another one and lead goes into the center, put arms on the shoulders of the other leads and step with left foot behind right and then right behind left, then spin back out and grab the partner to your right not the same follower!!
When joining the other leads, to put left hand low and right hand high and to start with left behind right. Prima y Enredala - - Prima and catch the hand of the follow on the right, back step and pull the follow on your left into a counter clock wise spin.
While pulling the follow out, hair comb your right arm over your heard, face to your left. Then repeat, back step and rotate the follow on your left, etc.
Once facing outward, continue to rotate to your left and back out under their arms. You should be backing out under the arms of the two follows and backing out of the circle.
Take the hand of the follow on your right, stamp your foot, and lead the follow around your back and enchufla, then put the follow's hand on your shoulder and go the next follow on your LEFT!
Principe Malo - - Enchufla and slap the hand of the follow before moving on. Principe Bueno - - Enchufla and then kiss the hand of the follow before moving on.
Setenta - - As shown. Setenta Complicado - - As shown. Setenta con Dos Manos - From a basic Guapea, this starts on the 7 count by the lead grabbing the follow's hand on the right.
As the lead grabs the follow's hand on the right, they prep their partner on the left by putting their left hand inward, similar to a Setenta.
Then while the lead holds their right hand low, they rotate the follow on the left in a clockwise outside turn until wrapped. On the next eight count, the lead unravels the follow and then as the follow comes around anti-clockwise, the lead turns to the right under the follow's arm.
The lead should now be facing the back of the follow with their right arm around their own waist holding the left arm of the follow behind them.
As the group starts to move forward with Arriba, the lead then hair combs the follow's right hand over their head and onto the follow's left shoulder.
Dance until Dile Que No is called. Setenta Moderno - - Start like setenta, but lead the follower around behind and the lead steps in front with left hand up.
Lift hands up and lead the follow a round until behind again and the lead stands in front ducking under the right hand this time. The lead then ducks slightly and leads the follow to the right grabbing both the follows hands leading into a sacala, then duck under the follows arm and cross body back into neutral position.
Setenta Nuevo - - Start like setenta by putting the follow into a hammer lock on the first eight count. On the next eight count when unravelling the follow, the lead puts their left hand low and right hand high and continues to rotate to the right until the lead is in a hammer lock facing the follow on the right.
The lead then pulls on the follows right hand and transfers them behind the lead on Once the follow is on the left, the lead is now in hammer lock with their right hand behind their back and facing the follow on their left, the lead does a turn to the right, holding their left hand high.
The lead should now be facing the follow in an open position. The lead now does a two handed enchufla and hair combs the follow.
Setenta por Abajo - - Almost identical to what is shown in the video, except the ending is different - the lead faces into the circle and once the lead stands up and does the enchufla, it follows the same ending pattern as setenta starting at the 16second mark.
Setenta y Dos - - Starts like setenta, but end it by hooking first the left elbow over the follow's left on 5 and then the right elbow on 7.
Then cross body lead back. Setenta y Tres - - Starts like setenta with the lead ending inside facing outward. On the next eight count, the lead then raises both hands and steps under, turning to the left to face the follow, ending with cross arms.
The follow is then lead in an outside turn clockwise ending with a hair-comb on the right hand side, and cross body back to neutral.
Setenta y Uno - - Similar to Setenta y dos, but hook just the right elbow on 7. Siete con Coca Cola - - Starts like siete, but spin the follow around while stepping around, then cross body back to neutral.
Siete Loco - - Starts with the Setenta style prep with the lead stopping the follow in a wrapped position on 1,2,3 and then spinning the follow with both hands.
Then cross body and prep with both arms into the center of the circle. Then spin back-to-back with both hands over the head, ending with the follow in a sweet heart position.
Two sacalas ending with the right hand going in a hair-comb over the lead's head. Siete con Moderno - - Like siete, put your left hand into the circle but before the follow spins all the way out, flick the hand and grab the follow's left hand and put your right hand on the follow's back to stop the follow from spinning.
Then spin the follow back anti-clockwise and the haircomb the follow's arm over your shoulder and do a cross body. Siete Setenta - - Start like setenta but put the follow into a hammerlock along the edge of the circle.
Casino is different than other types of Salsa dance styles because of its spontaneous use of the rich Afro-Cuban dance vocabulary within a Casino dance; a Casino dancer frequently improvises references to other dances, integrating movements, gestures and extended passages from the folkloric and popular heritage.
This is particularly true of African descended Cubans. Casino danced with multiple partners in a circular fashion emerged in under the name "Rueda del Casino.
While the dance became popular so did the phrases "vamos a hacer la rueda como en el Casino" let's go dance "rueda" like in the Casino and "vamos a hacer la rueda del Casino" let's go dance "rueda" of the Casino.
Given the popularity of the music and dance, numerous Rueda de Casino dance groups appeared on the island made up of friends, family members, and professional dancers.
They took their culture with them, including various dishes, music and dancing. Rueda de Casino began to slowly make its way into the Miami salsa community during the Mariel boatlift,  and in the late s and early s it experienced an enormous explosion of popularity.
However, the style of Rueda de Casino that became popular was a style somewhat different than its original form.
From Miami, Rueda de Casino spread first to major U. In , the first International Rueda de Casino Multi Flash Mob took place in which people from 67 countries, including cities, danced Rueda de Casino simultaneously.
The differences between the Miami-style Rueda de Casino and the Cuban-style Rueda de Casino are stark, and these differences can be seen throughout the performances of the groups that participated in Many moves have hand signs to complement the calls; these are useful in noisy venues, where spoken calls might not be easily heard.
Most moves involve the swapping of partners, where the partners move around the circle to the next partner. The combination of elaborate dance combinations and constant movement of partners create a visually spectacular effect.
The names of the moves are mostly in Spanish, some in English or Spanglish ; e. Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest.
Although the names of most calls are presently the same across the board, the different towns in Cuba use their own calls. This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda.
Many local variations of the calls can now be found. They can change from town-to-town or even from teacher-to-teacher. There are many different variations of moves in Rueda de Casino.
The circle will either start from "al Medio" normal closed hold with all the couples stepping in and out of the circle or from Guapea stepping forward on the inside foot and backward on the outside foot, tangent to the circle.